- Jul 08, 2010 Adobe Premierre Pro CC is an industry-leading video editing software, you can edit virtually any type of media in its native format and create professional productions with brilliant color for.
- In this episode of Adobe Creative Cloud TV, Terry White shows you how to get started with Adobe Premiere Pro CC and editing video. You'll see the 10 things that beginners want to know how to do.
- Adobe Premiere Pro Cc 2018
- Adobe Premiere Pro Cc 2018 Free Download
- Adobe Premiere Pro Cc 2019
- Adobe Premiere Pro Cc Review
Feb 24, 2018 Adobe Premiere Pro CC 2018 Crack. Adobe Premiere Pro accessible for download at Macsoftwarez.Adobe Premiere Pro is a propelled video preparing programming based NLEs (non-direct altering framework) that offers different video-altering highlights.
- Pros
Clear, flexible interface. Lots of organizational tools. Responsive speed. Ultimate power in video editing. Rich ecosystem of video production apps. Excellent stabilization. Unlimited multi-cam angles.
- Cons
No keyword tagging for media. Some techniques require additional applications such as After Effects or SpeedGrade.
- Bottom Line
An expansive professional-level digital video editing program, Premiere Pro CC has everything today's pro video editor needs, particularly when it comes to collaboration.
Adobe Premiere Pro deserves its place as the industry standard video editing software, thanks to its familiar nonlinear editing interface, unmatched ecosystem of tools, and powerful set of capabilities. Since my last look at the massive application, it has added support for 360 VR content, 4K (and higher) and HDR video, and the Lumetri Color tool. It has also added class-leading collaboration capabilities. All of this makes Premiere well worthy of an ditors' Choice award for professional-level video-editing software.
- $299.99
- $99.99
- $129.95
- $99.99
- $0.00
- $79.99
- $99.99
- $49.99
While Apple made a drastic break with the past when it updated Final Cut Pro X, Adobe continues to take an incremental approach, polishing the interface and adding state-of-the art tools to its professional video editing software, Premiere Pro CC. Those used to traditional nonlinear digital video editing will applaud Premiere's familiar approach, but in its favor, Final Cut offers some innovative tools like connected clips, auditions, and a trackless timeline that can ease the work of editors.
Pricing and System Requirements
Premiere Pro is now only available by subscription to Adobe Creative Cloud. The cross-platform program runs on macOS 10.10 through 10.12 and on Windows 7 through Windows 10, with the 64-bit versions required. It also requires a minimum of 8GB of RAM (16GB recommended), and a 1,280-by-800 display. The program by itself costs $19.99 per month with an annual commitment or $29.99 month-to-month. You can also get it as part of the complete suite of Adobe professional applications for $49.99 per month ($74.99 month-to-month). There is a free 30-day trial option. Because Premiere is sold as a subscription, not only is the immediate dent on your pocketbook lessened (prior to the new pricing plan, it cost a cool $799.99), but the application is constantly updated with improvements and new capabilities. When you install Premiere, you also get Adobe Media Encoder, which converts output to a wide variety of formats for online and broadcast.
Interface
Premiere Pro has a good-looking, flexible interface. The startup view helps you quickly get to projects you've been working on, begin new projects, or search Adobe Stock. The dark program window makes your clips the center of attention, and you can switch among functions like Assembly, Editing, Color, Effects, Audio, and Titles. You can edit these or create your own custom workspaces, and even pull off any of its panels and float them wherever you want on your display(s). You can now create content bins based on search terms.
By default, the editor uses a four-panel layout, with the source preview at top left, a project preview at top right, your project assets at lower-left, and the timeline tracks along the lower right. You can add and remove control buttons to taste; Adobe has removed a bunch by default for a cleaner interface. Since many editors rely on keyboard shortcuts like J, K, and L for navigating through a project, fewer buttons and a cleaner screen make a lot of sense. It's a very flexible interface, and you can undock and drag around windows to your heart's content. When you hover the mouse over a clip in the source panel, it scrubs through the video.
Premiere is now touch-friendly, letting you move clips and timeline elements around with a finger or tap buttons. You can also pinch-zoom the timeline or video preview window. You can even set in and out points with a tap on thumbnails in the source bin. Final Cut supports the new MacBook Pro Touch Bar, but I prefer the on-screen touch capability, since, unlike the Touch Bar, the touch screen doesn't require you to take your eyes off the screen and therefore your video project.
When you click on a media thumbnail, you get a scrubber bar and can mark in and out points right there, before you insert the clip into your project. Premiere offers several ways to insert a clip into your sequence. You can click the Insert or Overwrite buttons in the source preview monitor, or you can just drag the clip's thumbnail from the media browser onto the timeline or onto the preview monitor. Holding Command (or Ctrl on Windows) makes your clip overwrite the timeline contents. You can even drag files directly from the OS's file system into the project.
The media browser also has tabs for Effects, Markers, and History, the last of which can be help you back to a good spot if you mess up. Markers, too, have been improved, with the ability to attach notes and place multiple markers at the same time point. Markers can have durations in frame time codes, and the Markers tab shows you entries with all this for every marker in a clip or sequence. Clicking on a marker entry here jumps you right to its point in the movie.
Any device that can create video footage is fair game for import to Premiere Pro. The software can capture from tape, with scene detection, shuttle transport, and time-code settings. It also imports raw file format from pro-level cameras like the Arri Alexa, Canon Cinema EOS C300, and Red Epic. Resolutions of up to 8K are supported. And, of course, you can import video from smartphones and DSLRS, as well. For high-frame-rate video, the program lets you use proxy media for faster editing.
Trimming Clips in Your Project
Premiere Pro continues to offer the four edit types that sound like they belong at a waterpark—Roll, Ripple, Slip, and Slide—and adds a Regular Trim mode. They're all clearly accessible at the left of the timeline. The cursor shape and color give visual cues about which kind of edit you're dealing with. A welcome new capability is that you can actually make edits while playback is rolling.
In a nice touch, holding down the mouse button while moving a clip edit point (or double-clicking on an edit point) opens a view of both clips in the preview window. If you double click on the edit point it switches to Trim mode, which shows the outgoing and incoming frames, with buttons for moving back and forward by 1 frame or 5 and another to apply the default transition.
As with Adobe Photoshop image layers, layer support in Premiere Pro lets you apply adjustments. These will affect all tracks below them. You create a new adjustment layer by right-clicking in the project panel. Then you drag it onto a clip your timeline, and start applying effects.
Transitions and Effects
If you've been reading my recent reviews of enthusiast-level video editing software, you may be surprised to learn that Premiere Pro includes just 38 transition options by default (you can of course install plugins for more). This is because in the pro community, most of those hundreds of transitions offered by the likes of CyberLink PowerDirector are considered tacky—if pros want to do fancy transitions, they build their own striking, custom ones in After Effects or buy polished premade ones via third-party plug-ins.
Otherwise, all the video effects you'd expect are present—keying, lighting, colorizing, and transforming. You can apply an effect just by double clicking. A search box makes it easy to find the effect or transition you need.
The Warp Stabilize feature, brought over from After Effects, is very effective at smoothing out bumpy video. But it takes a while, analyzing one frame at a time. You can adjust the amount of cropping, tweak the percent smoothness, and make the borders auto-scale. But the long wait pays off. The result was very noticeably smoother than in Final Cut Pro X in my testing.
Collaboration
New collaboration features rank high in the list of new features in Premiere Pro. Creative Cloud Libraries let you store and organize assets online, and the beta Team Projects feature lets editors and motion graphics artists using After Effects collaborate in real time. The Teams features are only available for business-level accounts, which cost $29.99 per user per month. Any Premiere user can sync settings to Creative Cloud, for editing from different PCs and locations. This also means that editors can go to any machine running Premiere and see their environment tweaks duplicated by signing into the cloud.
360 VR Video
Premiere lets you view 360-degree VR footage and change the field of view and angle. You can view this content in anaglyphic form, which is a fancy way of saying you can see it in 3D using standard red-and-blue glasses. You can also have your video track a head-mounted display's view.
The program, however, couldn't open my Samsung Gear 360 footage unless it was already converted to equirectangular format. Corel VideoStudio, CyberLink PowerDirector, and Pinnacle Studio can all open the footage without this conversion. You can't see the spherical view alongside the flattened view as you can in those apps, either, but you can easily toggle back and forth between these views if you add the VR button to the preview window. Helpfully, the tool lets you tag a video as VR, so that Facebook or YouTube can tell it's 360-degree content.
Adobe Premiere Pro Cc 2018
Multi-Camera Angle Editing
Multi-cam in Premiere can now accommodate an unlimited number of angles, limited only by your system capabilities. Final Cut Pro X lets you work with only 64 angles, though most projects won't need more. In Premiere, you select your clips and choose Create Multi-Camera Source Sequence from the right-click or Clip menus, and then choose a syncing method. The program now does a good job of syncing clips based on their audio, which is helpful for DSLR-shot clips, since they have no time codes. As in Final Cut, a Multi-Camera Monitor lets you record angle changes as the composite video plays, either by simply clicking on the angle's tile or corresponding number. You can then adjust the cuts with the normal editing tools.
Color Adjustments and Effects
The Lumetri Color Tools in Premiere brings the program up to the status of Photoshop for video. These tools offer a remarkable amount of color manipulation, along with a great selection of film and HDR looks. You can adjust white balance, exposure, contrast, highlights, shadows, and black point—all of which can be activated with keyframes. Saturation, Vibrance, Faded Film, and Sharpen adjustments are also available. But the curves and color wheel options are truly impressive. There's also a very cool Lumetri Scope view, which shows the current frame's proportional use of red, green, and blue.
You can opt to apply any of these effects only in masked areas, which you can create from polygons or by using a pen tool. For motion, tracking, however, you need to look to After Effects, so those masks won't automatically track, say, a face.
I miss Final Cut Pro X's automatic color-matching feature, which gives contiguous scenes consistency. Again, the recommended way to deal with this is to use fellow Creative Cloud programs After Effects or SpeedGrade.
Audio Editing
Premiere Pro's Audio Mixer shows pan, balance, VU meters, clipping indicators, and mute/solo for all timeline tracks. You can use it to make adjustments as the project plays. New tracks are automatically created when you drop an audio clip in the timeline, and you can specify types like Standard (which can contain a combination of mono and stereo files), mono, stereo, 5.1 and adaptive. Double-clicking the VU meters or panning dials returns their levels to zero.
The audio meters next to your timeline are resizable and let you solo any track. The program also supports hardware controllers and third-party VSP plugins. If you have Adobe Audition installed, you can roundtrip your audio between that and Premiere for advanced techniques such as Adaptive Noise Reduction, Parametric EQ, Automatic Click Removal, Studio Reverb, and compression.
Titles and Captions
As you might expect, Premiere Pro offers a wealth of text options for titles and captions. It can import XML or SRT files. For titles you get a great selection of fonts, including Adobe Typekit fonts. You can choose leading and kerning, rolling, crawling, rotation, opacity, texture, and more. As in Photoshop, you can apply strokes and shadows to any font. Advanced text animation, however, once again falls to After Effects. By comparison, enthusiast-level programs like PowerDirector and Pinnacle Studio offer a good selection of title animations right in the video editor.
Ancillary Apps
One of Premiere's strong points is the way it works with other Adobe CC apps. In particular, video editors commonly need to create assets in Photoshop and After Effects. You can move content between the apps in its native format without the need for any type of conversion, through the Adobe Dynamic Link menu choice. This lets your project interact with After Effects, Audition (for sound), Encore, Media Encoder, Prelude (for media ingest), SpeedGrade (for color grading), and Story (script development). Apple's Final Cut cannot equal this spectrum of production tools. In addition to Adobe's own apps that help extend Premiere Pro, all the major industry giants—such as GenArts, NewBlue, and Red Giant—offer plug-ins.
Mobile apps get in on the act, too. With Premiere Clip, you can start projects on your smartphone and finish them in Premiere. I tried the app on my iPhone, and it's an appealing little video editor even for those without Premiere on the desktop. The app lets you join clips, adjust lighting, add fades, and include a background soundtrack. I only wish it let you rotate video, since we humans are so prone to holding our phones in portrait orientation while shooting. I suppose most pro-level projects edited with Premiere Pro won't have this concern, but you never know when you're going to want to incorporate something that wasn't shot with professional production in mind.
When I chose Send to Premiere Pro CC on the mobile app, my desktop received notifications about it, and the movie and all component clips arrived in my Creative Cloud folder. I was a bit disappointed that it didn't appear in the Creative Cloud synced files panel in the Welcome screen. Instead, you have to choose Convert Premiere Clip project from the File menu. After I did this, the project looked great inside the editor, complete with applied effects.
Output and Performance
When you're done editing your movie, Premiere's Export option offers most formats you'd ever want, and for more output options you can use the Adobe Encoder, which can target Facebook, Twitter, Vimeo, DVD, Blu-ray, and loads of devices. Encoder lets you batch encode to target multiple devices in a single job, such as mobile phones, iPads, and HDTVs. Premiere also can output media using H.265 and the Rec. 2020 color space, as can Final Cut. Final Cut, however, requires you to buy the separate Compressor 4 for $49.99 for this functionality.
Premiere Pro takes advantage of 64-bit CPUs and multiple cores. I tested on a recent iMac running macOS Sierra, a 2.5GHz Core i5 machine with 4GB RAM and a 512MB AMD Radeon HD 6750M graphics card—not the ultimate power video editing workstation, but well within the program's stated requirements, and had I used a blazing fast machine it would have been harder to see performance differences.
I also tested on my trusty 4K touchscreen-equipped Asus Zen AiO Pro Z240IC running 64-bit Windows 10 Home and loaded with 16GB RAM, a quad-core Intel Core i7-6700T CPU, and an Nvidia GeForce GTX 960M discrete graphics card.
On the Mac, I sometimes encountered delays in operation, making it hard to get to the point I wanted in the project. I could still get the playback to stutter with composited effects. The program didn't crash on the PC the way it used to, and the way Final Cut still sometimes does. Premiere now periodically auto-saves your work, in case you forget to.
A rendering test of a 4-minute project consisting of two 4K and two HD clips, with various transitions applied, to H.264 at 1080p30 took Premiere Pro 6 minutes and 2 seconds. The same test took Final Cut Pro 7:15 to render. The difference surprised me, as a few years ago, when I ran the same comparison the results were reversed. On the PC (using a different set of clips), Premiere Pro took 3 minutes 50 seconds, which isn't bad, though high-end prosumer software from CyberLink and Corel was a bit quicker: PowerDirector took 2:34 and Pinnacle Studio took 1:56 for the same set of clips.
Worthy of the Red Carpet
There's no denying that Premiere Pro CC can do everything the professional video editor needs, and Adobe's pro video editing software takes the lead when it comes to collaboration features. Its close integration with After Effects, Photoshop, and the whole CC suite are definite boons, too. It's a massive program with an enormous set of capabilities that even a lengthy a review like this can hardly do justice. With its massive toolset and rich ecosystem, Adobe Premiere Pro CC earns an Editors' Choice award for professional video editing software. Apple Final Cut Pro X's interface is more innovative in some ways and the product adds some very helpful tools like Roles, Auditions, and Clip Connections, making it co-winner in the category.
Adobe Premiere Pro CC
Bottom Line: An expansive professional-level digital video editing program, Premiere Pro CC has everything today's pro video editor needs, particularly when it comes to collaboration.
- $9.99
- $20.99
- $99.99
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July 2019 (13.1.4 and 13.1.3) and April 2019 (13.1.2, 13.1.1, and 13.1) releases
The latest versions of Creative Cloud apps do not support some older versions of Windows and Mac. Learn more. |
Minimum specifications | Recommended specifications | |
Processor | Intel® 6thGen or newer CPU – or AMD equivalent | |
Operating system | Microsoft Windows 10 (64-bit) version 1703 or later | Microsoft Windows 10 (64-bit) version 1703 or later |
RAM | 8 GB of RAM |
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GPU | 2 GB of GPU VRAM For a list of recommended graphic cards, see Recommended graphics cards for Adobe Premiere Pro. | 4 GB of GPU VRAM For a list of recommended graphic cards, see Recommended graphics cards for Adobe Premiere Pro. |
Hard disk space |
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Monitor resolution | 1280 x 800 | 1920 x 1080 or greater |
Sound card | ASIO compatible or Microsoft Windows Driver Model | ASIO compatible or Microsoft Windows Driver Model |
Network storage connection | 1 Gigabit Ethernet (HD only) | 10 Gigabit ethernet for 4K shared network workflow |
Internet | Internet connection and registration are necessary for required software activation, validation of subscriptions, and access to online services.* | |
More system requirements |
Minimum specifications | Recommended specifications | |
Processor | Intel® 6thGen or newer CPU | Intel® 6thGen or newer CPU |
Operating system | macOS v10.12 or later (v10.13 or later required for hardware-acceleration) | macOS v10.13 or later |
macOS v10.13 or laterRAM | 8 GB of RAM |
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GPU | 2 GB of GPU VRAM | 4 GB of GPU VRAM |
Hard disk space |
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Monitor resolution | 1280 x 800 | 1920 x 1080 or greater |
Network storage connection | 1 Gigabit Ethernet (HD only) | 10 Gigabit ethernet for 4K shared network workflow |
Internet | Internet connection and registration are necessary for required software activation, validation of subscriptions, and access to online services.* | |
More system requirements |
* Notice to users: Internet connection, Adobe ID, and acceptance of license agreement required to activate and use this product. This product may integrate with or allow access to certain Adobe or third-party hosted online services. Adobe services are available only to users 13 and older and require agreement to additional terms of use and the Adobe Privacy Policy. Applications and services may not be available in all countries or languages and may be subject to change or discontinuation without notice. Extra fees or membership charges may apply.
Note:
Requirements vary between VR systems. The requirements listed here are the base requirements only.
Head Mounted display | Operating system | Other requirements |
Oculus Rift | Windows 10 |
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HTC Vive |
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Windows Mixed Reality | Windows 10 | On Windows:
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Adobe Premiere Pro Cc 2018 Free Download
For detailed requirements for the different types of head-sets, and for information on setting up an immersive environment for Premiere Pro, see Immersive video in Premiere Pro.
Feature | Operating system |
Hardware-accelerated H.264 encoding |
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Hardware-accelerated HEVC encoding |
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Hardware-accelerated H.264 decoding |
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Hardware-accelerated HEVC decoding |
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Recommended graphics cards for Adobe Premiere Pro
- NVIDIA Quadro RTX 8000
- NVIDIA Quadro RTX 6000
- NVIDIA Quadro RTX 5000
- NVIDIA Quadro RTX 4000
- NVIDIA Quadro GV100
- NVIDIA Quadro GP100
- NVIDIA Quadro P6000
- NVIDIA Quadro P5200
- NVIDIA Quadro P5000
- NVIDIA Quadro P4000
- NVIDIA Quadro P2000
- NVIDIA Quadro P2200
- NVIDIA Quadro P1000
- NVIDIA Quadro M6000
- NVIDIA Quadro M5000
- NVIDIA Quadro M4000
- NVIDIA Quadro M2000
- NVIDIA Quadro K6000
- NVIDIA Quadro K5200
- NVIDIA Quadro K5000
- NVIDIA Quadro K2000
- NVIDIA Quadro K1200
- NVIDIA TITAN RTX
- NVIDIA TITAN V
- NVIDIA TITAN XP
- NVIDIA TITAN X (Pascal)
- NVIDIA TITAN Z
- NVIDIA GeForce RTX 2080 Ti
- NVIDIA GeForce RTX 2080
- NVIDIA GeForce RTX 2070
- NVIDIA GeForce RTX 2060
- NVIDIA GeForce GTX 1660 Ti
- NVIDIA GeForce GTX 1660
- NVIDIA GeForce GTX 1650
- NVIDIA GeForce GTX 1080 Ti
- NVIDIA GeForce GTX 1080
- NVIDIA GeForce GTX 1070 Ti
- NVIDIA GeForce GTX 1070
- NVIDIA GeForce GTX 1060
- NVIDIA GeForce GTX 980 Ti
- NVIDIA GeForce GTX 980
- NVIDIA GeForce GTX 970
NVIDIA has publicly released windows ODE drivers that support the CUDA 9.2 SDK used in the latest release of Premiere Pro. This is not the Microsoft default driver, but you can download this driver directly from NVIDIA, Version 411.63 (of the 410 series drivers).
- AMD Radeon Pro SSG
- AMD Radeon Pro WX 3100
- AMD Radeon Pro WX 4100
- AMD Radeon Pro WX 5100
- AMD Radeon Pro WX 7100
- AMD Radeon Pro WX 8200
- AMD Radeon Pro WX 9100
- AMD Radeon Pro W4100
- AMD FirePro W5100
- AMD FirePro W7100
- AMD FirePro W8100
- AMD FirePro W9100
- AMD FirePro W7000
- AMD FirePro W8000
- AMD FirePro W9000
- AMD Radeon Pro WX 4130
- AMD Radeon Pro WX 4150
- AMD Radeon Pro WX 4170
- AMD FirePro W6150M
- AMD FirePro W7170M
Adobe Premiere Pro Cc 2019
- AMD FirePro D300
- AMD FirePro D500
- AMD FirePro D700
- AMD Radeon R9 M290X
- AMD Radeon R9 M380
- AMD Radeon R9 M390
- AMD Radeon R9 M395X
- AMD Radeon Pro 560
- AMD Radeon Pro 570
- AMD Radeon Pro 575
- AMD Radeon Pro 580
- AMD Radeon Pro M395X
- AMD Radeon Pro Vega 56
- AMD Radeon Pro Vega 64
- Intel® HD Graphics 6000
- Intel® Iris™ Graphics 6100
- Intel® Iris™ Pro Graphics 6200
- AMD Radeon Pro Vega 20
- AMD Radeon Pro Vega 48
- Intel® HD Graphics 5000
- Intel® HD Graphics 6000
- Intel® Iris Graphics 6100
- Intel® Iris Pro Graphics 6300
- Intel® Iris Pro Graphics P6300
- Intel® Iris Graphics 540/550
- Intel® Iris Pro Graphics 580
- Intel® Iris Pro Graphics P580
- Intel® Iris™ Plus Graphics 640/650
Adobe Premiere Pro is available in the following languages:
Adobe Premiere Pro Cc Review
Premiere Pro supports text composition in Middle Eastern as well as Indic scripts using the “South Asian and Middle Eastern” text engine.
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